1. Off-The-Grid Music Hackathon

    A blue posters with a black grid, and the words  Off-The-Grid Music Hackathon at Harvestworks, Governors Island Building 10a Nolan Park, August 5th, 12-6PM and the logos of Music Community Lab, Harvestworks, and the Institute for Public ArchitectureALT

    Explore music and sound off-the-grid. Make music outdoors, without electrical outlets and internet access. Consider, how will working in a park on an island, removed from the streets and offices of the city, change your musical or sonic explorations? How will working without a table and chairs change your process? Will you create a battery powered experience? A physical hardware based musical or sound experience? Will you construct an instrument that does not rely on institutionally provided power or internet access? This hackathon encourages any medium, techniques, technologies, and procedures you can use to create music and sound experiences under these constraints. 

    This non-competitive hackathon will include a mix of talks, performances, workshops and presentations by participants. Free and open to all (with RSVP—this event has limited capacity). Come learn, explore, create and share!

    We have an open call out for talks and workshops - please submit!

    :: Date & Time

    Saturday, August 5, 2023.
    Rain date, August 12, 2023.
    11:30am - Doors Open
    12:00pm - Talks

    • “Collaborating with the Woods,” by Luciform
    • “Permacomputing and Making Music with Computers Outside,” by Cameron Alexander
    • “Music & Sound Art Off-The-Grid,” by Katarina Hoeger

      1:00pm - Brainstorming& Hacking
      3:30pm - “ReVoice,” a workshop with Noah Aronson
      5:00pm - Demos & Performances

    :: Location

    Harvestworks Back Lawn
    10a Nolan Park
    Governor’s Island
    New York, NY 11231

    Click here for a map.

    :: Links

    RSVP [REQUIRED, Tickets Limited]

    Propose a Talk or Workshop

    Volunteer

    :: Logistics

    This is an outdoor event. Bring any supplies you might need for your auditory masterpieces. Bring hats, sunscreen, bug spray, picnic blankets to work on and water bottles and whatever you need to work comfortably outdoors. Snacks and refreshments will not be provided, but can be purchased from food vendors on the island.

    In case of postponement due to impending rain, notifications will be sent out via email to all who RSVPed.

    Ferry fares and times: Travel to Governor’s Island is free until 12PM on weekends. The last ferry to Brooklyn is at 5:30pm, the last ferry to Manhattan is 11:30pm. No participants will be stranded on Governor’s Island.

    :: Governor’s Island Rules

    Select rules of conduct for Governor’s Island include:

    * All visitors, back packs, packages and vehicles are subject to search.
    * Visitors may bring their own food and non-alcoholic beverages. No grilling allowed at Harvestworks site.
    * Cyclists must follow all posted traffic signs, speed limits, and dismount areas. Bikes may only be locked at designated bike racks.
    * All visitors must depart the Island on or before the departure of the last public ferry departing Governors Island each day.
    * Pets and drones are not allowed.
    * Visitors are not allowed to secure items to trees or buildings.
    * Commercial activity and solicitation are not allowed.

    For a full list, see https://www.govisland.com/plan-your-visit/rules.

    :: About the organizers and hosts

    This event is organized by Music Community Lab and hosted in back and side yards of Harvestworks and the Institute for Public Architecture at their residencies on Governor’s Island.

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    Music Community Lab (musiccommunitylab.org / musichackathon.org) is a not-for-profit which presents events encouraging exploratory approaches to music and sound.

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    Harvestworks is a not-for-profit which supports the creation and presentation of art works achieved through the use of new and evolving technologies.

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    The Institute for Public Architecture is a not-for-profit which uses design to challenge social and physical inequities.

    Event graphics by Shagari Guity.

  2. Songwriter Lab Oct 17th: Call for Proposals & RSVP

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    On Saturday October 17th, spend the day making music from scratch, learning from online talks & workshops, and collaborating remotely with creative members of our community.

    The day will wrap up with an online showcase, where participants will have the opportunity to share their tracks from the day over live stream.

    This event is open to all experience levels. Where you’re a seasoned or aspiring songwriter, producer, musician, or creator of songwriting tools ⏤ join us virtually, at Songwriter Lab Remote by Music Community Lab!

    Saturday, Oct 17, 2020

    12:00 PM ET - Talks [via Zoom + YouTube Live]
    1:00 PM ET - Optional workshops [via Zoom]
    8:00 PM ET - Demos & Performances [via Zoom + YouTube Live]

    This is a free, non-competitive event, and all are welcome (with RSVP).

    Propose a talk or workshop

    RSVP

    flyer by Shagari Guity

  3. Remote Music Hackathon May 23rd, 2020

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    Explore new ways of connecting through music at a distance at the Remote Music Hackathon, May 23rd 2020.

    Music Community Lab’s first remote event follows our traditional Music Hackathon format of talks, workshops, hacks and performances.This is a free, non-competitive event, and all are welcome (with RSVP).

    remote.musichackathon.org

  4. Experiential Music Hackathon Recap

    On February 22nd, we explored music beyond the auditory at the Experiential Music Hackathon. It was a fantastic day of talks, workshops, hacking and performances held at the Brooklyn Navy Yard offices of Weav Music.

    Crowd Gathers - photo by Brenden Hussey

    Talks

    Kon Tsitsas - photo by Brenden Hussey

    Jay Alan Zimmerman, a composer, author, and multimedia artist, came up with the original concept for this event and led the organizing. As a composer who has become deaf, and co-creator of projects like Google’s Seeing Music, his opening talk set the stage for a day that aimed to make music more inclusive by enhancing the experience for everyone.

    Kon Tsitsas holding a phone demo-ing Weav Run app, photo by Brenden Hussey

    Kon Tsitsas, Adaptive Music Specialist at Weav Music, described their process for designing adaptive, interactive music experiences like Weav Run.

    Allen Riley, photo via Allen via our live stream

    Allen Riley presented works like Electronic Internet, sonification of internet browsing, and the Dream Car, a sound and light environment inspired by La Monte Young and Marian Zazeela’s Dream House.

    Four people gathered around Videofreak, photo via Allen Riley

    He also brought Videofreak, a music and video synthesizer in the form of an arcade cabinet, from its home at the Death By Audio Arcade. Participants explored the “experiential game” throughout the day.

    Johann Diedrick, photo by Brenden Hussey

    Johann Diedrick (aquiet.life) described how attuning our hearing to environmental sounds can inspire new ways of music making. From a workshop building aeolian harps to be played by the wind, to projects like the bird classifier at Newtown Creek, mobile listening kit and harvester.

    Yago de Quay, photo by Brenden Hussey

    Yago de Quay (meetgraviton.com) described how technologies such as gesture and brain wave sensors can turn the body and mind into an instrument in a live performance context. He shared context behind some of his projects like Lightning Guitar, Brainwave Controlled Music Show, and Interactive Music and Dance.

    Rena Anakwe, photo by Brenden Hussey

    Rena Anakwe’s talk, “Building Worlds through Sound, Visuals and Scent,” described how all of the senses factor into her immersive performances. Emphasizing the healing power of music, she concluded the talks with a sound-scent bath that was a perfect finale as we transitioned into hacking and workshops.

    Workshops

    In the first workshop, Jay Alan Zimmerman and David Lu described techniques for visualizing music. 

    workshop slide introduces SETS visual framework for music: Space, Emotion, Time, Shape. Photo by Inza Bamba

    David Lu leads the workshop, photo by Jason Sigal

    Then, they delved into some of the technical approaches to music visualization that powered their work for Google’s “Seeing Music.”

    Kyle Luntz led the second workshop, connecting live audio with environmental sensors.

    Kyle Luntz workshop, photo by Brenden Hussey

    Kyle Luntz workshop, photo by Brenden Hussey

    Participants used open source software and hardware (Pure Data and Arduino).

    Kyle Luntz, photo by Brenden Hussey

    Kyle is an artist and musician, as well as educator at Beam Center, a Brooklyn-based non-profit who generously lent extra Arduinos for the workshop.

    Hacking

    With all of the workshops there was still some time for hacking, pizza, and meeting new people.

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    We hit capacity at the beginning of the day, and our amazing volunteer organizers like Steph, Alan and Vinay helped us handle the overwhelming interest in the event without breaking the fire code.

    Demos & Performances

    At the end of the day, participants shared what they worked on, interspersed with special guest performances from Viola Yip, Richard Einhorn/Ruth Cunningham, Jay Alan Zimmerman and David Lu. Jay Alan Zimmerman’s performance incorporated sign language and included everyone in the audience. He then provided visuals for a Richard Einhorn composition w/ the performer Ruth Cunningham.

    Visuals projected in the windows

    Throughout the performances, visuals projected and reflected throughout the physical space.

    Viola Yip performs with Bulbble, photo by Jason Sigal

    Viola Yip performed with Bulbble, a DIY instrument that incorporates a circuit of lightbulbs as an interface for the audio and visual interplay for a performance

    Tongues demo, photo by Jason Sigal

    A demo of “Tongues,” by Alex Suber, Nathan Miller, Armand Bernardi: an augmented sound experience that classifies the mood and sentiment of speech based on its timbre, and uses this to generate music.

    SCreenshot of Windown

    Alex Wang, Dan Cho, and Adam Rahman worked on “Windown”: a sleep aid application intended to be incorporated into a nighttime routine.

    Halley and CJ tattoo an orange and amplify the sound with a microphone, photo by Jason Sigal

    Halley and CJ demoed the sound of tattooing an orange.

    David Lu performs, photo by Brenden Hussey

    Concluding the performances, David Lu aka Condrummer, demonstrated his unique audio-visual compositions

    We livestreamed the talks and demos/performances and you can view them on youtube. Unfortunately the video framerate is low, but the audio quality is high!

    Photos by Inza Bamba, Brenden Hussey, Vinay Raghavan, Allen Riley and Jason Sigal.

    Thank you!

    Many thanks to all who participated in the event and to everyone involved in making it happen! Thank you to everyone at Weav Music for hosting us, transforming their office to accommodate the event, and putting such care and thought into the planning. Thank you to Spotify for supporting pizza and live captioning. Thanks Stan(ographer) for captioning. Thank you Shagari Guity for graphics. Thanks to all of our incredible guests (Jay, Kon, Johann, Yago, Rena, David, Kyle, and Viola) for sharing their work. And thank you to the many volunteers (Alan, Brenden, Holly, Inza, Jason, Jay, Marium, Shagari, Steph, Taylor and Vinay) who organized on behalf of Music Community Lab!

    Please reach out to contact” at ” musiccommunitylab.org if you’d like to get involved with future events!

  5. Experiential Music Hackathon

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    Flyer by Shagari Guity

    Explore new ways of interacting with music, beyond the auditory. Music we can taste, smell, touch and see. Interactive and immersive music that alters our experience of reality. From real-world applications and installations to the augmented and virtual. How can we utilize technology and other tools to create new music experiences?

    This non-competitive hackathon will include talks, performances, and workshops featuring open source tools.

    Hosted at the new Navy Yard offices of Weav Music, a startup building adaptive music experiences.

    Free and open to all (with RSVP—capacity is limited). Come learn, explore, create and share!

    Saturday, Feb 22, 2020
    11:30am - Doors Open
    12:00pm - Talks
    1:30pm - Workshops & Hacking
    7:00pm - Demos & Performances

    Weav Music
    141 Flushing Ave
    Building 77
    Brooklyn, NY 11205
    Suite 1212, 12th Floor

    Talks (12pm)

    :: Rena Anakwe, interdisciplinary artist & performer: “Building Worlds through Sound, Visuals and Scent” (aspaceforsound.com | twitter.com/djladylane | twitter.com/aspaceforsound | https://soundcloud.com/djladylane)

    :: Dr. Yago de Quay, multimedia artist: “Biometric Art: How to Make Music using Gesture and Brainwave Interfaces” (meetgraviton.com | youtube.com/yagodequay)

    :: Johann Diedrick, artist, “A Quiet Life: attuning our attention to environmental sounds” (johanndiedrick.com | aquiet.life | instagram.com/johanndiedrick | twitter.com/jdiedrick)

    :: Allen Riley, video artist and game designer, Death by Audio Arcade: “Audiovisual Synthesis & Video Games” (allen-riley.com | videofreak.tv | @twoeggshomefriesryetoast)

    Workshops (2pm & 3:30pm)

    :: 2pm - 3:30pm: “How To Create Visual Music with Code and in Real Life” w/ Jay Alan Zimmerman, deaf composer & visual music artist, and David Lu, electronic musician & media artist.

    Introducing the principals of music for the eyes, visual music standards and tools, and specifically how to use the Seeing Music app and code to create new visuals and new code.

    Participants do not need to bring anything but are welcome to bring their devices and open the app online and/or download the code on github.

    :: 3:30pm - 5pm: “Sensitive sounds: Connecting live audio with environmental sensors using Pure Data + Arduino” w/ Kyle Luntz (@kyleluntz), artist, educator & musician.

    Participants are asked to bring headphones and a laptop with the following free software downloaded in advance: Pure Data (PD Vanilla), an external library called Pduino and the Arduino IDE. Optional: Arduino (or equivalent), breadboard, jumper wires, variable resistors (photocells, potentiometers, piezos…)

    Performances (7pm)

    :: Jay Alan Zimmerman, deaf composer & visual music artist (creatability.withgoogle.com/seeing-music | deafmusical.com)

    :: David Lu, electronic music & media artist: David Lu (aka Conundrumer) is a software engineer, electronic musician, and media artist. He has been developing generative visuals and expressive interfaces with a focus on live, expressive, and visual electronic music. His performances involve digital and electroacoustic instruments accompanied by a tightly synchronized visual representation of the music. (davidlu.me)

    :: Viola Yip, composer & performer: Bulbble is a DIY instrument that incorporates a circuit of lightbulbs as an interface for the audio and visual interplay for a performance. (newmusicusa.org/profile/ispeakmusic/)

    :: Richard Einhorn, classical music composer (richardeinhorn.com)

    Plus demos! Demonstrations of new projects created by attendees during the hack day!

    RSVP

  6. Town Hall: Music, Hacking & Accessibility

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    Flyer by Steph Rymer

    If you’ve attended our recent events, you might have met a team of researchers from the University of Calgary interested in the intersection of music hacking, technology, education and accessibility.

    On August 26th, join us for a special presentation from Chantelle Ko, Atiya Datoo & Adam Patrick Bell as they present the results of their research—including a case study on Music Community Lab.

    Following the presentation, we’ll hold small group discussions to come up with ideas to make our events the best they can be. Join us for some refreshments and dialog.

    Music Community Lab Town Hall on Music Hacking & Accessibility

    150 Greenwich St, 69th Floor | New York NY
    Monday, August 26, 2019 from 6:30 PM - 8:30 PM

    RSVP*

    *This event is free and open to all, but capacity is limited, so RSVP now and arrive early!

  7. Call for Proposals: Movement & Music [June 8] and Songwriter Lab [June 15]

    We have two exciting Music Community Lab events this June—Movement & Music (June 8th) and Songwriter Lab (June 15th).

    Both events have a call for proposals that is open through May 22nd. We’re planning short talks and workshops from many different perspectives on the topics of movement and song. We can’t wait to hear your ideas!

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    Movement & Music

    Saturday, June 8th, 2019
    10:30am - 6:00pm
    Splash HQ
    122 W 26th Street, 4th Floor
    New York, New York 10001

    Explore the relationship between movement and music. Sound is movement. Music inspires dance and human motion. Conductors use movement to guide the creation of music.

    Movement & Music is the place to explore these overlaps and more. Listen to talks, join workshops, and create projects with others on the theme. Persons of any skill and exposure level are welcome!

    RSVP

    Call for Proposals


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    Songwriter Lab

    Saturday, June 15th 2019
    11:00am - 8:00pm
    NYU Leslie eLab
    16 Washington Place
    New York NY, 10003

    Write a song in a day. Songwriter Lab is a chance to tap into your creative side and explore music through multiple genres.

    Spend the day making music from scratch, and collaborating with creative members of our community.

    This event is open to all experience levels. Whether you’re a seasoned songwriter or just getting started, join us at Songwriter Lab!

    RSVP

    Call for Proposals

  8. Music and AI: May 9th

    On May 9th, Music Community Lab presents an evening of music and AI
    with Yuka Honda and Angélica Negrón.

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    flyer by Shagari Guity (shagariguity.com)

    Two highly accomplished composers and multi-instrumentalists will experiment with various free, open-source AI-based software to compose, adapt and perform new music, incorporating these AI tools into their creative processes for the first time.

    Thursday, May 9th, 9:00 PM
    New York Live Arts
    219 West 19th St. Manhattan
    General Admission: $10

    Get Tickets

  9. Live Visual Art for Music: April 28

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    Music Community Lab presents an afternoon of artist talks from three pioneering artists who create live visuals for concert environments.

    On Sunday April 28th at New York Live Arts, Music Community Lab presents an afternoon with three pioneering live visual artists: Joshua White (Joshua Light Show), Deborah Johnson (CandyStations) and David Lublin (VDMX).

    They’ll discuss their techniques, their collaborations with musicians, and the analog and digital live performance tools they have invented.

    :: Joshua White (Joshua Light Show)
    Joshua White is best known for the improvised abstract visuals he created and performed with his ensemble Joshua Light Show at concerts with Jimi Hendrix, Led Zeppelin, The Who, Janis Joplin, Ravi Shankar, Frank Zappa, The Grateful Dead, Tim Buckley, and others. He performed at Woodstock in 1969, created visuals for the Oscar-winning film Midnight Cowboy, and during a thirty-year career as a director was nominated for two EMMY awards, with directorial credits including the video for Laurie Anderson’s “O Superman,” The Max Headroom Show and Seinfeld. He has also created large-scale art installations in collaboration with Michael Smith, Gary Panter and Guy Richards Smit. White’s work is in the permanent collection of the Museum of Modern Art, and has been exhibited at the Museum of Contemporary Art, Los Angeles, The Whitney Museum of American Art, The Hirshhorn Museum, The New Museum, The Hayden Planetarium, The Cleveland Museum of Art, The Exploratorium, The Barbican Centre and the Centre Pompidou. In recent years, he has performed with Joshua Light Show at contemporary music festivals in the United States, Great Britain, Italy and Mexico, and has lectured at Yale University.


    :: Deborah Johnson (CandyStations) 
    Deborah Johnson is an interdisciplinary artist and designer specializing in stage design and performance visuals. She has worked with musicians including Sufjan Stevens, Ray LaMontagne, M83, Sofi Tukker, St. Vincent, Bang On A Can, Lambchop and Wilco, with performances at Coachella, Disney Concert Hall, Brooklyn Academy of Music, The Museum of Modern Art, MASS MoCA, Radio City Music Hall, Madison Square Garden, The Fillmore, The Ryman, and Wiener Konzerthaus. She has created site-specific installations for events at SXSW, 92Y Tribeca, Brooklyn Academy of Music, Chicago’s Millennium Park and the Baltimore Museum of Art, and completed residencies at MASS MoCA, The Experimental Television Center and The Atlantic Center for the Arts. She is a professor of Time and Movement at The Pratt Institute and Live Performance Design at NYU Tandon.

    :: David Lublin (VDMX)
    David Lublin is the creator of the VJ software VDMX, and co-founder of VidVox, where he focuses on making tools and building communities for visual artists around the world. As a visual artist, he has collaborated with musicians including Girl Talk and Jon Hopkins at venues such as Lincoln Center, EMPAC and Mapping Festival.

    WHEN
    Sunday April 28th, 2019
    3:00pm - 5:30pm

    3:00 - Doors open
    3:30 - Talks, Demos, Q&A
    4:45 - Hands-on session

    WHERE
    New York Live Arts
    219 W 19th Street
    New York, New York 10011

    HOW
    RSVP is required. And free as you wish! But please consider donating to support Music Community Lab / Monthly Music Hackathon.

    RSVP here!

  10. Live Code Lab Recap & Resources

    On Saturday, February 2, 2019, we here at Music Community Lab collaborated with Live Code NYC to produce Live Code Lab at NYU Tandon.

    Over 180 participants joined a day-long exploration of live coding techniques for the performance of music, visuals and beyond.

    Here’s a recap of what went down, along with resources and photos to help document the day.

    Talks

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    Kate Sicchio, an Assistant Professor at Virginia Commonwealth University, active live coder, and one of the original co-founders of Live Code NYC, started off the afternoon’s session of talks with an introduction to live coding. Her overview of live coding covered local and global live coding, common methods, her own personal practice, and general anecdotes and quotes related to the scene, such as the upwards trend of algoraves


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