1. Planet Jeffro: NYC "Noise Map" API idea →

    Two interesting and overlapping projects dealing with urban noise explained below. The potential uses of this data for artistic purposes is exciting. Anyone interested in doing a project at Monthly Music Hackathon NYC exploring urban noise in New York?

    Jeff Novich has an excellent proposal for an urban noise API:

    planetjeffro:

    Imagine the applications of a Noise API:

    I’d create a simple “noise map” website using the noise API that would allow users to explore NYC through noise. This would merely represent a use-case of the API. There are many, many other uses of the data that I can imagine, and I know the ingenuity and innovation of NYC techies will find even more interesting ways to utilize the data.

    • Add a “noise” layer into Zillow and other rental maps
    • Compare locations with “don’t honk” signs to places without them
    • Identify ambulance routes by tracing the “ambulance siren” noise type
    • Identify poorly designed intersections that have higher than average honking
    • Compare high honking locations with taxi GPS data to (possibly) identify honking taxis
    • Use the “bus honk” type to identify buses that are honking inappropriately
    • Play sounds of honking loudly at a community board meeting

    And coincidentally, NYU is embarking on a project researching urban noise:

    New York University’s Center for Urban Science and Progress (CUSP) and the Music and Audio Research Lab (MARL) invite applications for a post-doctoral position in cyberphysical systems’ research and development involving large-scale capture, analysis, classification, retrieval, and visualization of urban noise.

    These research activities form part of an interdisciplinary initiative, integrating MARL’s Citygram project, that aims to: (a) design and deploy large-scale remote sensing networks that capture spatio-acoustic properties of NYC’s metropolitan area in real-time; (b) design systems for automatic sound identification; (c) develop tools for both mining existing databases and collecting new noise complaints and associated acoustic events; and (d) provide an online exploration/research hub for spatio-acoustic “big data” access, navigation, and visualization. Research results will enable deeper understanding of the NYC noise problem and thus inform effective public policy. Main areas of research include: wireless sensor networks; soundfield capture, analysis and classification; and visualization of spatio-acoustic properties with a focus on urban noise.

    (from an email sent to many music science mailing lists)

  2. Interview about Jazz & Technology Forum

    jonathanmarmor:

    Here’s a short interview I did about Jazz & Technology Forum:

    Jonathan Marmor composes experimental music, writes software for exfm, helps coordinate Monthly Music Hackathon NYC and plays tabla. He’s one of the primary instigators behind this weekend’s Jazz and Technology Forum at Ace Hotel New York in honor of UNESCO International Jazz Day. We had a sit down with him about some stuff he knows about.

    See more on our calendar at www.acehotel.com/jazzforum.

    //////////

    + What is Music Information Retrieval and how does it interest you?

    Music Information Retrieval (MIR), or Music Information Research, as it’s frequently called these days, is a field of science focused on using computer science techniques such as digital signal processing and machine-learning to better understand music. A classic example is the challenge of automatically classifying a large collection of audio files into genres, based entirely on the characteristics of the audio signal.

    I’ve personally always been interested in learning about how music functions and making up my own rules for my music. MIR scientists approach analyzing music differently than anything I ever experienced in music school or studying Indian music. It was eye-opening and revealed I had been underestimating the number of unanswered basic questions about how music works. This opened up many new avenues for speculation on musical fantasy worlds. It’s like there was a box with a hundred knobs, and now that box has an unknown but much larger number of knobs.

    + What kinds of projects span the code/music relationship?

    At Monthly Music Hackathon NYC we’ve had an incredible variety of projects spanning music and technology. One of my favorites is a wind harp built out of a metal rain gutter, driven by a computer controlled fan. One of the inspirations for this jazz-focused hackathon was Ben Lacker’s Jazz Drum Machine, which chops up audio files of jazz drum solos, classifies all the segments by pitch characteristics and positions within the meter, then allows you to fade in and out loops of related sounds. It shows how having data describing audio can lead to really beautiful and unexpected art. Ben will be speaking at the Jazz & Technology Forum about how data generated by MIR tools can be used to create new music.

    + What do you think some ideal pairings of skill sets would be?

    I’d love to see someone with a deep knowledge of jazz history, a data scientist and an interactive artist team up to create a visualization (with audio) demonstrating a seemingly inconsequential nuance that makes jazz expressive, such as the variations in pitch intonation in 100 performances of the head of St. Louis Blues.

    Originally posted here: https://www.facebook.com/jmarmor/posts/10200665102444479

  3. Jazz & Technology Forum, Saturday April 27th, 2013 at Ace Hotel

  4. Generating the non-standards

    functiontelechy:

    To coincide with International Jazz Day, this month’s Monthly Music Hackathon focused entirely on jazz.

    For my part, I joined up with Jonathan, who proposed an idea for a hack based on building a statistical model of standards, and using it to generate new songs (non-standards). The eventual goal is a machine of the form “PUSH BUTTON, RECEIVE JAZZ”, which could generate fresh lead sheets to be performed by the live band.  We didn’t quite make it that far, but we got close!

    Read More

  5. Special Guest Artists

    Jazz duo Ben Wendel & Dan Tepfer will be our special guest ensemble at Jazz & Technology Forum. In addition to hacking together new music and tech projects to perform in the concert, they will also play material from their recent critically acclaimed album Small Constructions.

    Dan has a background in astrophysics and has incorporated technology into some of his music. He recently did a project in which he used a keyboard midi controller to send music notation to iPhones being read by the Harlem String Quartet. This allowed him to improvise a string quartet accompaniment to legendary saxophonist Lee Konitz. Check it out here.

    7pm Sat April 27th, 2013
    Ace Hotel
    29th St & Broadway

    More info

    If you’re interested in participating in the hackathon, please email musichackathon@gmail.com.

    image

  6. Jazz & Technology Forum

    As part of UNESCO International Jazz Day, the April 2013 Music Hackathon NYC will focus on how new technology can be used to research and create Jazz. We’ll be holding it in a new location, the Ace Hotel on 29th St and Broadway, which has a great conference room for the hackathon and a nice bar for the concert. The day will start with two terrific talks by Monthly Music Hackathon regulars Brian McFee and Ben Lacker, focusing on using new technology for research and creation, respectively.

    Saturday, April 27th, 2013
    Ace Hotel
    20 W 29th St New York, NY 10001

    10 AM Lectures, discussion, and hackathon (very limited space)
    7 PM Concert and presentations (free and open to the public)

    Recent technological developments are leading to fascinating new ways to create and study music. Columbia University’s Jazz Information Retrieval project is demonstrating that we now have tools to gain new insight into long unanswered questions about how Jazz functions. Inspired by this and UNESCO International Jazz Day, Monthly Music Hackathon NYC and Ace Hotel are teaming up to present an all-day intensive forum to gather thinkers from the technology and music communities to share ideas and rapidly create new music and research. The results will be presented in concert format at 7pm Saturday, April 27th at the Ace Hotel.

    RSVP to attend the concert: http://jazztech.eventbrite.com/

    If you’d like to participate in the hackathon, please email musichackathon@gmail.com with a sentence or two about why you’re interested, a little about your background and interests in music and/or technology, and any ideas you have for projects for the hackathon. Unfortunately, we have very limited space, so we’ll be registering participants on a first-come, first-serve basis, and also making sure we have a variety of skills and interests represented.

    Schedule
    10:00 AM Coffee
    10:25 AM Opening remarks

    10:30 AM An approach to music research with new technology
    Brian McFee, Postdoctoral research scholar in the Center for Jazz Studies and LabROSA at Columbia University
    - Overview of the field of Music Information Retrieval (MIR)
    - Interesting issues when applying MIR approaches to Jazz
    - Some analysis tools to assist musicians and programmers in hacking

    11:00 AM An approach to music creation with new technology and data
    Ben Lacker, Musician and software engineer
    - How data generated by MIR tools can be used to create new music
    - Some tools to assist musicians and programmers in composing, performing, and remixing

    11:20 AM Jazz musicians’ perspective on emerging technology
    Ben Wendel and Dan Tepfer

    11:30 AM Participant introductions
    11:45 AM Whole-group Q&A and brainstorm of project ideas
    12:00 PM Decide which projects to work on, break into teams, start working!
    12:30 PM Lunch, continue working

    …hackathon…

    6:00 PM Collaboratively put together concert program
    6:30 PM Doors open for concert
    7:00 PM Introductory talk summarizing the day
    7:15 PM Concert and presentations of the day’s work

    More info:
    Subscribe to the discussion email list for this event: Email jazztechnology+subscribe@googlegroups.com
    Subscribe to announcements email list for Monthly Music Hackathon NYC: http://eepurl.com/pNXJP
    musichackathon@gmail.com
    @musichackathon #jazztech

    Presented by Monthly Music Hackathon NYC, Ace Hotel, Mailchimp, and 10gen as part of UNESCO International Jazz Day
    #jazzday http://jazzday.com/
    http://www.acehotel.com/newyork

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  7. We’ve got some crazy plans up our sleeves for the music hackathon planned for Sat April 27th.  Stay tuned.

    We’ve got some crazy plans up our sleeves for the music hackathon planned for Sat April 27th. Stay tuned.

  8. March 30th, 2013 Music Hackathon NYC

    Registration is now open for the March 2013 installment of Monthly Music Hackathon NYC!

    RSVP here: http://monthlymusichackathonnyc.eventbrite.com/

    When
    Saturday, March 30th 2013
    Noon: hacking begins
    1 PM: introductions, lunch
    8 PM: concert/presentation of projects

    Where
    199 Lafayette St, 3rd Floor, New York, NY 10012

    FREE!
    But space is limited, so please RSVP

    @musichackathon
    Join the mailing list

    Stay tuned for announcement of an ensemble in residence, workshops, and other fun stuff.

  9. January 2013 Concert and Presentations

    The full 90+ minute concert and presentations from the January 2013 music hackathon. Interviews with the creators coming soon!